Neologisms: mathetic

Pathetic at math.

Movies: My 2010 Oscar picks (11 of 24)

Each year, my Oscar picks are more from intuition -- an editorial sense of quantitative buzz -- than actually seeing more than a handful of the nominees (or half again more this year). The shorts esp. are always total blind stabs -- though this year I got to see two-thirds of them after my picks but before the Awards. While the animated and live action shorts that won Oscars were my actual favorites, I didn't change my picks for shorts on principle because they were powerful films in their own way. Nevertheless, next year I expect to see more nominees and adjust certain picks as necessary right up to the ceremony.

To recap, I've seen 9 of the feature nominees this year (Alice in Wonderland, Harry Potter and the Deathly Hallows, How to Train Your Dragon, Inception, Inside Job, The King's Speech, The Social Network, Toy Story 3, Tron: Legacy) and 10 of the shorts Animation and Live Action). My success rate for Oscar picks has been 15 out of 24 in 2005, 10 in 2006, 15 in 2007, 13 in 2008, 10 in 2009 -- and 11 in 2010.

(Underline is my pick though italic is a secondary pick for the likely winner if different. Bold is the actual winner.)

1. Best Picture: "Black Swan," "The Fighter," "Inception," "The Kids Are All Right," "The King's Speech," "127 Hours," "The Social Network," "Toy Story 3," "True Grit," "Winter's Bone."

2. Actor: Javier Bardem, "Biutiful"; Jeff Bridges, "True Grit"; Jesse Eisenberg, "The Social Network"; Colin Firth, "The King's Speech"; James Franco, "127 Hours."

3. Actress: Annette Bening, "The Kids Are All Right"; Nicole Kidman, "Rabbit Hole"; Jennifer Lawrence, "Winter's Bone"; Natalie Portman, "Black Swan"; Michelle Williams, "Blue Valentine."

4. Supporting Actor: Christian Bale, "The Fighter"; John Hawkes, "Winter's Bone"; Jeremy Renner, "The Town"; Mark Ruffalo, "The Kids Are All Right"; Geoffrey Rush, "The King's Speech."

5. Supporting Actress: Amy Adams, "The Fighter"; Helena Bonham Carter, "The King's Speech"; Melissa Leo, "The Fighter"; Hailee Steinfeld, "True Grit"; Jacki Weaver, "Animal Kingdom."

6. Directing: Darren Aronofsky, "Black Swan"; David O. Russell, "The Fighter"; Tom Hooper, "The King's Speech"; David Fincher, "The Social Network"; Joel Coen and Ethan Coen, "True Grit."

7. Foreign Language Film: "Biutiful," Mexico; "Dogtooth," Greece; "In a Better World," Denmark; "Incendies," Canada; "Outside the Law (Hors-la-loi)," Algeria.

8. Adapted Screenplay: Danny Boyle and Simon Beaufoy, "127 Hours"; Aaron Sorkin, "The Social Network"; Michael Arndt, John Lasseter, Andrew Stanton and Lee Unkrich, "Toy Story 3"; Joel Coen and Ethan Coen, "True Grit"; Debra Granik and Anne Rosellini, "Winter's Bone."

9. Original Screenplay: Mike Leigh, "Another Year"; Scott Silver and Paul Tamasy and Eric Johnson and Keith Dorrington, "The Fighter"; Christopher Nolan, "Inception"; Lisa Cholodenko and Stuart Blumberg, "The Kids Are All Right"; David Seidler, "The King's Speech."

10. Animated Feature Film: "How to Train Your Dragon," "The Illusionist," "Toy Story 3."

11. Art Direction: "Alice in Wonderland," "Harry Potter and the Deathly Hallows Part 1," "Inception," "The King's Speech," "True Grit."

12. Cinematography: "Black Swan," "Inception," "The King's Speech," "The Social Network," "True Grit."

13. Sound Mixing: "Inception," "The King's Speech," "Salt," "The Social Network," "True Grit."

14. Sound Editing: "Inception," "Toy Story 3," "Tron: Legacy," "True Grit," "Unstoppable."

15. Original Score: "How to Train Your Dragon," John Powell; "Inception," Hans Zimmer; "The King's Speech," Alexandre Desplat; "127 Hours," A.R. Rahman; "The Social Network," Trent Reznor and Atticus Ross.

16. Original Song: "Coming Home" from "Country Strong," Tom Douglas, Troy Verges and Hillary Lindsey; "I See the Light" from "Tangled," Alan Menken and Glenn Slater; "If I Rise" from "127 Hours," A.R. Rahman, Dido and Rollo Armstrong; "We Belong Together" from "Toy Story 3," Randy Newman.

17. Costume: "Alice in Wonderland," "I Am Love," "The King's Speech," "The Tempest," "True Grit."

18. Documentary Feature: "Exit through the Gift Shop," "Gasland," "Inside Job," "Restrepo," "Waste Land."

19. Documentary (short): "Killing in the Name," "Poster Girl," "Strangers No More," "Sun Come Up," "The Warriors of Qiugang."

20. Film Editing: "Black Swan," "The Fighter," "The King's Speech," "127 Hours," "The Social Network."

21. Makeup: "Barney's Version," "The Way Back," "The Wolfman."

22. Animated Short Film: "Day and Night," "The Gruffalo," "Let's Pollute," "The Lost Thing," "Madagascar, carnet de voyage (Madagascar, a Journey Diary)."

23. Live Action Short Film: "The Confession," "The Crush," "God of Love," "Na Wewe," "Wish 143."

24. Visual Effects: "Alice in Wonderland," "Harry Potter and the Deathly Hallows Part 1," "Hereafter," "Inception," "Iron Man 2."

Neologisms: Tamn! Tammit!

Expletive for contaminated, impure.

Movies: My 2010 Oscar picks

Every year, I envision seeing more movies in general and more Oscar nominees in particular -- and every year, more important things come first. Also every year, I generally know which films are my Oscar picks on the day of the nominations -- except for the ones that are a total stab in the dark -- yet I barely carve out time to post them before the Awards ceremony one month later. (Last year, I scrambled to post them during the five minutes right before the show began.) So this year, I'm taking time to post my 2010 season Oscar winner picks about two weeks early, posted as of now. (Underline is my pick though italic is the likely winner if different.) Despite having seen only eight of the nominees this year so far (Alice in Wonderland, Harry Potter and the Deathly Hallows, How to Train Your Dragon, Inception, Inside Job, The King's Speech, The Social Network, Toy Story 3), it's more than the usual five (mostly family films). This year, I hope my success rate for picking the correct nominee in 24 awards categories turns out to be more than the average of 13 (15 in 2005, 10 in 2006, 15 in 2007, 13 in 2008, 10 in 2009).

P.S. While conventional wisdom says the winners this year appear to be extremely predictable, here is the logic I would apply even if The King's Speech and The Social Network were in every other way neck-and-neck: Which is the nobler premise -- a reluctant king finds the courage and voice to lead England at the brink of world war against Hitler and Stalin ... or a taciturn savant outsnarks classmates and designs a network where students can polish their social cred and get laid?

[2-25-11: I have since seen Oscar Shorts: Animation, Oscar Shorts: Live Action, and Tron: Legacy. I won't change my picks for shorts (or any other category) though I will italicize a few more likely winners (when different than my picks). Go Oscars!]

1. Best Picture: "Black Swan," "The Fighter," "Inception," "The Kids Are All Right," "The King's Speech," "127 Hours," "The Social Network," "Toy Story 3," "True Grit," "Winter's Bone."

2. Actor: Javier Bardem, "Biutiful"; Jeff Bridges, "True Grit"; Jesse Eisenberg, "The Social Network"; Colin Firth, "The King's Speech"; James Franco, "127 Hours."

3. Actress: Annette Bening, "The Kids Are All Right"; Nicole Kidman, "Rabbit Hole"; Jennifer Lawrence, "Winter's Bone"; Natalie Portman, "Black Swan"; Michelle Williams, "Blue Valentine."

4. Supporting Actor: Christian Bale, "The Fighter"; John Hawkes, "Winter's Bone"; Jeremy Renner, "The Town"; Mark Ruffalo, "The Kids Are All Right"; Geoffrey Rush, "The King's Speech."

5. Supporting Actress: Amy Adams, "The Fighter"; Helena Bonham Carter, "The King's Speech"; Melissa Leo, "The Fighter"; Hailee Steinfeld, "True Grit"; Jacki Weaver, "Animal Kingdom."

6. Directing: Darren Aronofsky, "Black Swan"; David O. Russell, "The Fighter"; Tom Hooper, "The King's Speech"; David Fincher, "The Social Network"; Joel Coen and Ethan Coen, "True Grit."

7. Foreign Language Film: "Biutiful," Mexico; "Dogtooth," Greece; "In a Better World," Denmark; "Incendies," Canada; "Outside the Law (Hors-la-loi)," Algeria.

8. Adapted Screenplay: Danny Boyle and Simon Beaufoy, "127 Hours"; Aaron Sorkin, "The Social Network"; Michael Arndt, John Lasseter, Andrew Stanton and Lee Unkrich, "Toy Story 3"; Joel Coen and Ethan Coen, "True Grit"; Debra Granik and Anne Rosellini, "Winter's Bone."

9. Original Screenplay: Mike Leigh, "Another Year"; Scott Silver and Paul Tamasy and Eric Johnson and Keith Dorrington, "The Fighter"; Christopher Nolan, "Inception"; Lisa Cholodenko and Stuart Blumberg, "The Kids Are All Right"; David Seidler, "The King's Speech."

10. Animated Feature Film: "How to Train Your Dragon," "The Illusionist," "Toy Story 3."

11. Art Direction: "Alice in Wonderland," "Harry Potter and the Deathly Hallows Part 1," "Inception," "The King's Speech," "True Grit."

12. Cinematography: "Black Swan," "Inception," "The King's Speech," "The Social Network," "True Grit."

13. Sound Mixing: "Inception," "The King's Speech," "Salt," "The Social Network," "True Grit."

14. Sound Editing: "Inception," "Toy Story 3," "Tron: Legacy," "True Grit," "Unstoppable."

15. Original Score: "How to Train Your Dragon," John Powell; "Inception," Hans Zimmer; "The King's Speech," Alexandre Desplat; "127 Hours," A.R. Rahman; "The Social Network," Trent Reznor and Atticus Ross.

16. Original Song: "Coming Home" from "Country Strong," Tom Douglas, Troy Verges and Hillary Lindsey; "I See the Light" from "Tangled," Alan Menken and Glenn Slater; "If I Rise" from "127 Hours," A.R. Rahman, Dido and Rollo Armstrong; "We Belong Together" from "Toy Story 3," Randy Newman.

17. Costume: "Alice in Wonderland," "I Am Love," "The King's Speech," "The Tempest," "True Grit."

18. Documentary Feature: "Exit through the Gift Shop," "Gasland," "Inside Job," "Restrepo," "Waste Land."

19. Documentary (short): "Killing in the Name," "Poster Girl," "Strangers No More," "Sun Come Up," "The Warriors of Qiugang."

20. Film Editing: "Black Swan," "The Fighter," "The King's Speech," "127 Hours," "The Social Network."

21. Makeup: "Barney's Version," "The Way Back," "The Wolfman."

22. Animated Short Film: "Day and Night," "The Gruffalo," "Let's Pollute," "The Lost Thing," "Madagascar, carnet de voyage (Madagascar, a Journey Diary)."

23. Live Action Short Film: "The Confession," "The Crush," "God of Love," "Na Wewe," "Wish 143."

24. Visual Effects: "Alice in Wonderland," "Harry Potter and the Deathly Hallows Part 1," "Hereafter," "Inception," "Iron Man 2."

Language: No-man's words

"Chick words" that no "manly man" would ever let near his vocabulary:

cuticle
loofah
pamper
exfoliate

Netflix: Beyond the pale's pale

Robowriter here. I am apoplectic, speechless, aghast -- though I knew by Netflix's actions (contrary to its words) that you have been prejudiced against your most active and loyal (and evangelical) customers for years. We have appreciated some measure of community features -- better a brain-dead list-making capability at Netflix than a brainstem-dead service like Blockbuster -- yet you've threatened, attempted, and now accomplished a frontal lobotomy (and you seem fine with that). I'm not being reactionary with my metaphors, just vivid.

Admit it: You have never wanted to maintain the community features in the first place or you would have invested competent and even sufficient talent. (Who in the world offers a list-making system that can't be sorted or at least alphabetized, requires individual deletions or else 2n+1 list items are lost, and returns "Successfully saved" messages for list saves that fail? Who in the world ignores documented bug reports from its most active and dedicated user base for years and dedicates no personnel to addressing such issues?)

The only reason why Netflix grew to critical mass and then to dominate the market was these community features and the evangelism that its most dedicated members have provided for a decade now -- at virtually no cost to you (mainly because you were too cheap to spend enough). Don't think that Netflix is a "build it and they will come" story -- it has been a "build it with just-better-than-mediocre community features and they will come and build quonset huts from the cobblestones and clearly differentiate us from the surrounding wasteland" story. And now that you have your burgeoning town, you want to rip down the community center just to make room for a bigger Wal-Mart?

Here are my complaints: 1) You shouldn't give value for 10 years and then take it away. 2) You shouldn't insult then dump your most loyal (evangelical, viral) customer base TO WHOM YOU OWE YOUR EXISTENCE. 3) You shouldn't claim resources are the problem when you are front-loaded with cash and customers. 4) You shouldn't lie, dissemble, or fail to apologize for same and you shouldn't show a [documented] pattern of doing so. 5) You shouldn't claim a poor design was underused when you never worked to improve the design. 6) You shouldn't be arrogant and intellectually dishonest by cloaking what you've wanted to do for years with rationalizations that don't match with reality.

I'm seeing a growing swell of your most active members replacing hundreds of their reviews with protest messages -- and your response is to completely do away with all reviews and community features? With other active "citizen members," I devised workarounds this past week that allow me to keep using the community features with a minimum of hassle -- so I chose not to protest and to try to continue in my "citizen member" tradition. But now Netflix is beyond the pale. You've not only thrown your first and your best customers under the bus but you're backing up over them too.

Apple used to have 2% of the market too. It was called "the rest of us." Look what a loyal, dedicated, and evangelical fan base can do -- for a company that proves worthy of such a fanbase with innovation and "cool factor." If Netflix strips itself of its "cool factor" and chooses to become another commodity -- then frankly I predict that cable companies like Comcast will co-opt it in the marketplace. You know that the pipeline and media companies already have their writing on the wall.

Netflix: Be "cool." Reward loyalty. Be more than a cookie-cutter commodity company -- or those who own the pipelines and the media rights will ultimately bury you. You heard it here.

Netflix: Delete our posts, will you?

I'll tell you what frosts me: Not only does Netflix take away its own most valuable features -- that most distinguish it from the swill pit that is Blockbuster -- and replace them with a vapid cosmetic redesign ... but they DELETED the first 150 comments here (including my two carefully worded treatises on what Netflix members are now missing)! So not only do they want to lobotomize the system and dumb down the user experience but they want to whitewash it over so others do not know the score! Well as I said they are clearly and systematically conducting a campaign against those members who have for years brought great depth and breadth to the Netflix user experience. Without the best-written member reviews and lists, what do you have? Roger Ebert reviews and Netflix's idiotic movies-of-interest algorithms (where Blue's Clues suggests Witch Trials of Salem and blanket-marking all wrestling films as Not Interested gets you multiple suggestions for wrestling titles). Go figure!

Movies: My 2009 Oscar picks are 10 of 24

Owing to a heavy schedule, I took just 5 minutes to make my rapid-fire gut calls for the 2009 season Oscar winners below (bold is my pick though bold italic is the likely winner), posted at 5 p.m. Despite having seen only 5 of the nominees (Avatar, Bright Star, Coraline, Star Trek, Up in the Air) so far, my success rate for picking the correct nominee (underlined is the actual winner) turned out to be 10 out of 24.

Best Picture: Avatar, The Blind Side, District 9, An Education, The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel Push by Sapphire, A Serious Man, Up, Up in the Air.
Best Actor: Jeff Bridges, Crazy Heart; George Clooney, Up in the Air; Colin Firth, A Single Man; Morgan Freeman, Invictus; Jeremy Renner, The Hurt Locker.
Best Actress: Sandra Bullock, The Blind Side; Helen Mirren, The Last Station; Carey Mulligan, An Education; Gabourey Sidibe, Precious: Based on the Novel Push by Sapphire; Meryl Streep, Julie & Julia.
Best Supporting Actor: Matt Damon, Invictus; Woody Harrelson, The Messenger; Christopher Plummer, The Last Station; Stanley Tucci, The Lovely Bones; Christoph Waltz, Inglourious Basterds.
Best Supporting Actress: Penelope Cruz, Nine; Vera Farmiga, Up in the Air; Maggie Gyllenhaal, Crazy Heart; Anna Kendrick, Up in the Air; Mo’Nique, Precious: Based on the Novel Push by Sapphire.
Best Director: James Cameron, Avatar; Kathryn Bigelow, The Hurt Locker; Quentin Tarantino, Inglourious Basterds; Lee Daniels, Precious: Based on the Novel Push by Sapphire; Jason Reitman, Up in the Air.
Best Foreign Language Film: Ajami, Israel; El Secreto de Sus Ojos, Argentina; The Milk of Sorrow, Peru; Un Prophete, France; The White Ribbon, Germany.
Best Adapted Screenplay: Neill Blomkamp and Terri Tatchell, District 9; Nick Hornby, An Education; Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche, In the Loop; Geoffrey Fletcher, Precious: Based on the Novel Push by Sapphire; Jason Reitman and Sheldon Turner, Up in the Air.
Best Original Screenplay: Mark Boal, The Hurt Locker; Quentin Tarantino, Inglourious Basterds; Alessandro Camon and Oren Moverman, The Messenger; Joel Coen and Ethan Coen, A Serious Man; Bob Peterson, Pete Docter, Tom McCarthy, Up.
Best Animated Feature Film: Coraline; Fantastic Mr. Fox; The Princess and the Frog; The Secret of Kells; Up.
Best Art Direction: Avatar, The Imaginarium of Doctor Parnassus, Nine, Sherlock Holmes, The Young Victoria.
Best Cinematography: Avatar, Harry Potter and the Half-Blood Prince, The Hurt Locker, Inglourious Basterds, The White Ribbon.
Best Sound Mixing: Avatar, The Hurt Locker, Inglourious Basterds, Star Trek, Transformers: Revenge of the Fallen.
Best Sound Editing: Avatar, The Hurt Locker, Inglourious Basterds, Star Trek, Up.
Best Original Score: Avatar, James Horner; Fantastic Mr. Fox, Alexandre Desplat; The Hurt Locker, Marco Beltrami and Buck Sanders; Sherlock Holmes, Hans Zimmer; Up, Michael Giacchino.
Best Original Song: Almost There from The Princess and the Frog, Randy Newman; Down in New Orleans from The Princess and the Frog, Randy Newman; Loin de Paname from Paris 36, Reinhardt Wagner and Frank Thomas; Take It All from Nine, Maury Yeston; The Weary Kind (Theme from Crazy Heart) from Crazy Heart, Ryan Bingham and T Bone Burnett.
Best Costume: Bright Star, Coco Before Chanel, The Imaginarium of Doctor Parnassus, Nine, The Young Victoria.
Best Documentary Feature: Burma VJ, The Cove, Food, Inc., The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, Which Way Home.
Best Documentary Short: China’s Unnatural Disaster: The Tears of Sichuan Province, The Last Campaign of Governor Booth Gardner, The Last Truck: Closing of a GM Plant, Music by Prudence, Rabbit a la Berlin.
Best Film Editing: Avatar, District 9, The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel Push by Sapphire.
Best Makeup: Il Divo, Star Trek, The Young Victoria. [I forgot Star Trek had aliens besides Mr. Spock.]
Best Animated Short Film: French Roast, Granny O’Grimm’s Sleeping Beauty, The Lady and the Reaper (La Dama y la Muerte), Logorama, A Matter of Loaf and Death.
Best Live Action Short Film: The Door, Instead of Abracadabra, Kavi, Miracle Fish, The New Tenants.
Best Visual Effects: Avatar, District 9, Star Trek.

Movies: My 2009 Oscar picks

I've been really pressed under project deadlines so here are my rapid-fire gut calls for this year's Oscar winners (bold is my pick, bold italic is the likely winner):

Best Picture: Avatar, The Blind Side, District 9, An Education, The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel ’Push’ by Sapphire, A Serious Man, Up, Up in the Air.
Best Actor: Jeff Bridges, Crazy Heart; George Clooney, Up in the Air; Colin Firth, A Single Man; Morgan Freeman, Invictus; Jeremy Renner, The Hurt Locker.
Best Actress: Sandra Bullock, The Blind Side; Helen Mirren, The Last Station; Carey Mulligan, An Education; Gabourey Sidibe, Precious: Based on the Novel ‘Push’ by Sapphire; Meryl Streep, Julie & Julia.
Best Supporting Actor: Matt Damon, Invictus; Woody Harrelson, The Messenger; Christopher Plummer, The Last Station; Stanley Tucci, The Lovely Bones; Christoph Waltz, Inglourious Basterds.
Best Supporting Actress: Penelope Cruz, Nine; Vera Farmiga, Up in the Air; Maggie Gyllenhaal, Crazy Heart; Anna Kendrick, Up in the Air; Mo’Nique, Precious: Based on the Novel ’Push’ by Sapphire.
Best Director: James Cameron, Avatar; Kathryn Bigelow, The Hurt Locker; Quentin Tarantino, Inglourious Basterds; Lee Daniels, Precious: Based on the Novel ’Push’ by Sapphire; Jason Reitman, Up in the Air.
Best Foreign Language Film: Ajami, Israel; El Secreto de Sus Ojos, Argentina; The Milk of Sorrow, Peru; Un Prophete, France; The White Ribbon, Germany.
Best Adapted Screenplay: Neill Blomkamp and Terri Tatchell, District 9; Nick Hornby, An Education; Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche, In the Loop; Geoffrey Fletcher, Precious: Based on the Novel ’Push’ by Sapphire; Jason Reitman and Sheldon Turner, Up in the Air.
Best Original Screenplay: Mark Boal, The Hurt Locker; Quentin Tarantino, Inglourious Basterds; Alessandro Camon and Oren Moverman, The Messenger; Joel Coen and Ethan Coen, A Serious Man; Bob Peterson, Pete Docter, Tom McCarthy, Up.
Best Animated Feature Film: Coraline; Fantastic Mr. Fox; The Princess and the Frog; The Secret of Kells; Up.
Best Art Direction: Avatar, The Imaginarium of Doctor Parnassus, Nine, Sherlock Holmes, The Young Victoria.
Best Cinematography: Avatar, Harry Potter and the Half-Blood Prince, The Hurt Locker, Inglourious Basterds, The White Ribbon.
Best Sound Mixing: Avatar, The Hurt Locker, Inglourious Basterds, Star Trek, Transformers: Revenge of the Fallen.
Best Sound Editing: Avatar, The Hurt Locker, Inglourious Basterds, Star Trek, Up.
Best Original Score: Avatar, James Horner; Fantastic Mr. Fox, Alexandre Desplat; The Hurt Locker, Marco Beltrami and Buck Sanders; Sherlock Holmes, Hans Zimmer; Up, Michael Giacchino.
Best Original Song: Almost There from The Princess and the Frog, Randy Newman; Down in New Orleans from The Princess and the Frog, Randy Newman; Loin de Paname from Paris 36, Reinhardt Wagner and Frank Thomas; Take It All from Nine, Maury Yeston; The Weary Kind (Theme from Crazy Heart) from Crazy Heart, Ryan Bingham and T Bone Burnett.
Best Costume: Bright Star, Coco Before Chanel, The Imaginarium of Doctor Parnassus, Nine, The Young Victoria.
Best Documentary Feature: Burma VJ, The Cove, Food, Inc. The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, Which Way Home.
Best Documentary (short subject): China’s Unnatural Disaster: The Tears of Sichuan Province, The Last Campaign of Governor Booth Gardner, The Last Truck: Closing of a GM Plant, Music by Prudence, Rabbit a la Berlin.
Best Film Editing: Avatar, District 9, The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel ’Push’ by Sapphire.
Best Makeup: Il Divo, Star Trek, The Young Victoria.
Best Animated Short Film: French Roast, Granny O’Grimm’s Sleeping Beauty, The Lady and the Reaper (La Dama y la Muerte), Logorama, A Matter of Loaf and Death.
Best Live Action Short Film: The Door, Instead of Abracadabra, Kavi, Miracle Fish, The New Tenants.
Best Visual Effects: Avatar, District 9, Star Trek.

Netflix: Correction, Netflix contravenes its most active members

I realize I frequently use verbal shorthand that conflates or implies a bunch of reasons beneath one word or phrase so let me explain why I said Netflix "hates" those who use the community features:

1) Netflix point-blank announced it would eliminate multiple profiles, limiting every account to one (thus requiring families and individuals who have 2-5 profiles to purchase that many separate accounts or do without) until users' hue and cry caused them to recant

2) Despite hundreds of millions in revenues, Netflix has failed to upgrade its infrastructure to support the use of community features, causing system performance to slow to a crawl or time out in system errors for a vast majority of the time (even on fast systems), wasting countless hours of time for its most active users

3) Netflix has again tried to do away with community features by eliminating list access on the movie pages, greatly handicapping facility and access to lists in general, and so hiding and handicapping access to Friends that it couldn't be worse unless Friends were completely eliminated, and (of course the biggie)

4) Netflix sees its most active users as a drain on its profits because we watch more movies (hence the court decision that affirmed the sin of throttling, which Netflix admitted and atoned for in part with a legal settlement) instead of a net gain in revenues because of the loyalty and goodwill engendered by the many hundreds of its most active members.

So is "hate" too strong a term? Let's see:

1) Netflix intended to lobotomize multiple profiles until members objected

2) Netflix is effectively starving members who use community features (or any features beyond viewing a movie page or queue or adding to a queue)

3) Netflix has performed cosmetic surgery so as to all but cut off use of the community features

4) Netflix has worked intentionally since its founding to dilute the movie-watching, reviewing, and community participation of its most active and creative members.

(In its defense, I'm sure it's been no picnic for Netflix to deal with the sniping and spoiler wars of its most negative members, the "haters.")

So sure, "hate" is too strong a term, esp. since Netflix doesn't sink to rampant profanity. Let's just say "strong negative orientation and active policy of disentitlement or, if possible, elimination." Better?

Netflix: Netflix hates its most active members

Robowriter here. Sure, under the new fluffy airhead design I can still get to Friends by the tiny link at the bottom of the page (hm, all but hidden away like New Releases under the tiny RSS link) but it requires many more steps and is so time-consuming as to be useless. (The system has already been so slow that my extremely fast machine has not been able to call up my Notebook page for 13 months now.) Sure, I can pound a nail in with my thumb -- but why would I?

What really fries me though is the loss of the Top 10 lists on the movie page plus the link to add a movie to my lists (and esp. to see what lists it's already on). I cannot tell you how convoluted listmaking has now become. It was a tedious labor of love before but now it's four times as much tedium. I'm pretty sure I cannot continue listmaking at this pace.

I've always told everyone "Netflix rocks!" Now I can no longer say that. Why? Netflix clearly hates its most active and supportive members who give their time and enthusiasm to promoting Netflix and its movies to others. Netflix clearly hates its community features, repeatedly tries to get rid of them, and therefore its most loyal customers.

I don't mind the airy design per se. Just don't take away useful features! Removing value only alienates your customers, Netflix. Bring back the Friends tab and the Top 10 lists!

Neologisms: nigglefroutz

Endless tweaking, niggling, fuzzing, and putzing with details.

Email: Five bucks per call [EH]

Sprint did this about 4 years ago so I defected to Tmobile. With Comcast's other offenses (like degrading its HD signal) I can't imagine why they'd choose to aggravate even more customers by charging $5 to talk to a customer rep. I have already decided to avoid Comcast like the swine flu and to favor ATT or Verizon.  

Sent from my iPhone
 

Language: onomatospreia

Never could a word be more onomatopoeically spoken by Sylvester "Say It and Spray It" Cat:

viscosity

Press: Is Twitter evil? - msnbc.com

Is Twitter evil? - msnbc.com:

"Immordino-Yang put it another way: 'If things are happening too fast, you may not ever fully experience emotions about other people's psychological states, and that would have implications for your morality.'"

Neologisms: golliwog‏

Astonished, impressed. (Golly, gee whillikers, agog)

Movies: My 2008 Oscar picks are 13 out of 24

In the past four years I have yet to see more than 7 films (features and shorts) from the field of nominees before the Oscar awards ceremony. Nevertheless in two previous years, including last year when I saw only 3 nominees, I've picked 15 out of 24 Oscar awards accurately. (A sweep by Departed threw me off by 5 picks in the remaining year for a count of 10 out of 24.) This year, my Oscar picks turned out to be accurate in 13 out of 24 award categories.

This year, I took the experimental step of making alternate picks, but only an additional 7 of my second guesses were accurate. I completely missed on Best Actress and Best Supporting Actress as well as Best Foreign Language and Best Documentary Short.

My system for picking Oscar winners relies purely on intuition (and luck, which goes both ways, in the short film and original song categories). I go on buzz filtered by gut instinct with no time to do more than the usual: read the Houston Chronicle and maybe the New York Times, listen to public radio, and pick up on chatter at Netflix. (Last year I had a 6-month subscription to EW for the low price of $2, but I tossed out half of the issues unskimmed.)

Here are my 2008 Oscar picks (made January 22, except for technical and short categories made February 21) in bold italic (and alternate picks in italic), with Oscar winners underlined:

Best Picture
The Curious Case of Benjamin Button
Frost/Nixon
Milk
The Reader
Slumdog Millionaire

Best Actor
Richard Jenkins in The Visitor
Frank Langella in Frost/Nixon
Sean Penn in Milk
Brad Pitt in The Curious Case of Benjamin Button
Mickey Rourke in The Wrestler

Best Actress
Anne Hathaway in Rachel Getting Married
Angelina Jolie in Changeling
Melissa Leo in Frozen River
Meryl Streep in Doubt
Kate Winslet in The Reader

Best Supporting Actor
Josh Brolin in Milk
Robert Downey Jr. in Tropic Thunder
Philip Seymour Hoffman in Doubt
Heath Ledger in The Dark Knight
Michael Shannon in Revolutionary Road

Best Supporting Actress
Amy Adams in Doubt
Penélope Cruz in Vicky Cristina Barcelona
Viola Davis in Doubt
Taraji P. Henson in The Curious Case of Benjamin Button
Marisa Tomei in The Wrestler

Best Animated Feature
Bolt
Kung Fu Panda
WALL-E

Best Art Direction
Changeling
The Curious Case of Benjamin Button
The Dark Knight
The Duchess
Revolutionary Road

Best Cinematography
Changeling
The Curious Case of Benjamin Button
The Dark Knight
The Reader
Slumdog Millionaire

Best Costume Design
Australia
The Curious Case of Benjamin Button
The Duchess
Milk
Revolutionary Road

Best Director
The Curious Case of Benjamin Button, David Fincher
Frost/Nixon, Ron Howard
Milk, Gus Van Sant
The Reader, Stephen Daldry
Slumdog Millionaire, Danny Boyle

Best Documentary Feature
The Betrayal (Nerakhoon)
Encounters at the End of the World
The Garden
Man on Wire
Trouble the Water

Best Documentary Short
The Conscience of Nhem En
The Final Inch
Smile Pinki
The Witness - From the Balcony of Room 306

Best Film Editing
The Curious Case of Benjamin Button
The Dark Knight
Frost/Nixon
Milk
Slumdog Millionaire

Best Foreign Language Film
The Baader Meinhof Complex
The Class
Departures
Revanche
Waltz with Bashir

Best Makeup
The Curious Case of Benjamin Button
The Dark Knight
Hellboy II: The Golden Army

Best Original Score
The Curious Case of Benjamin Button
Defiance
Milk
Slumdog Millionaire
WALL-E

Best Original Song
Down to Earth from WALL-E
Jai Ho from Slumdog Millionaire
O Saya from Slumdog Millionaire

Best Animated Short
La Maison en Petits Cubes
Lavatory - Lovestory
Oktapodi
Presto
This Way Up

Best Live Action Short
Auf der Strecke (On the Line)
Manon on the Asphalt
New Boy
The Pig
Spielzeugland (Toyland)

Best Sound Editing
The Dark Knight
Iron Man
Slumdog Millionaire
WALL-E
Wanted

Best Sound Mixing
The Curious Case of Benjamin Button
The Dark Knight
Slumdog Millionaire
WALL-E
Wanted

Best Visual Effects
The Curious Case of Benjamin Button
The Dark Knight
Iron Man

Best Adapted Screenplay
The Curious Case of Benjamin Button
Doubt
Frost/Nixon
The Reader
Slumdog Millionaire

Best Original Screenplay
Frozen River
Happy-Go-Lucky
In Bruges
Milk
WALL-E

Movies: My 2008 Oscar nomination picks

*Sigh.* Another year of making three-fourths of my Oscar picks within a day of the nominations then being unable to wrap up and post them till a month later and on the weekend of the awards ceremony -- after seeing no more than 10% of the nominees.

My system for picking Oscar winners relies purely on intuition, since there is no way I can see even half of all Oscar nominees in a given year much less in one month. Yep, I go solely on buzz and gut instinct (reading just the Houston Chronicle and the New York Times, listening to public radio, and picking up on chatter at Netflix).

For two of the past three years, I've picked 15 out of 24 nominations accurately. (A sweep by Departed threw me off by 5 picks the other year.) The technical and short films categories are always a bear-in-the-fog kind of thing.

In two of the past three years, I have seen just 7 movies from the field but last year the count sank to 3. (Ideally, it would be a lot more.) This past year the count is 4 movies and 1 short.

Followed by my Oscar picks, here is a list of the 50 short and feature films nominated for the 2008 Oscar season, with the 4 movies and 1 short in bold that I have managed to see (as of January 22 and unchanged as of today):

Auf der Strecke (On the Line)
Australia
Bolt
Changeling
Defiance
Departures
Doubt
Encounters at the End of the World
Frost/Nixon
Frozen River
Happy-Go-Lucky
Hellboy II: The Golden Army
In Bruges
Iron Man
Kung Fu Panda
La Maison en Petits Cubes
Lavatory - Lovestory
Man on Wire
Manon on the Asphalt
Milk
New Boy
Oktapodi
Presto
Rachel Getting Married
Revanche
Revolutionary Road
Slumdog Millionaire
Smile Pinki
Spielzeugland (Toyland)
The Baader Meinhof Complex
The Betrayal (Nerakhoon)
The Class
The Conscience of Nhem En
The Curious Case of Benjamin Button
The Dark Knight
The Duchess
The Final Inch
The Garden
The Pig
The Reader
The Visitor
The Witness - From the Balcony of Room 306
The Wrestler
This Way Up
Tropic Thunder
Trouble the Water
Vicky Cristina Barcelona
WALL-E
Waltz with Bashir
Wanted

Here are my 2008 Oscar picks (made January 22, except for the technical and short categories) in bold italic, with alternate picks in italic:

Best Picture
The Curious Case of Benjamin Button
Frost/Nixon
Milk
The Reader
Slumdog Millionaire

Best Actor
Richard Jenkins in The Visitor
Frank Langella in Frost/Nixon
Sean Penn in Milk
Brad Pitt in The Curious Case of Benjamin Button
Mickey Rourke in The Wrestler

Best Actress
Anne Hathaway in Rachel Getting Married
Angelina Jolie in Changeling
Melissa Leo in Frozen River
Meryl Streep in Doubt
Kate Winslet in The Reader

Best Supporting Actor
Josh Brolin in Milk
Robert Downey Jr. in Tropic Thunder
Philip Seymour Hoffman in Doubt
Heath Ledger in The Dark Knight
Michael Shannon in Revolutionary Road

Best Supporting Actress
Amy Adams in Doubt
Penélope Cruz in Vicky Cristina Barcelona
Viola Davis in Doubt
Taraji P. Henson in The Curious Case of Benjamin Button
Marisa Tomei in The Wrestler

Best Animated Feature
Bolt
Kung Fu Panda
WALL-E

Best Art Direction
Changeling
The Curious Case of Benjamin Button
The Dark Knight
The Duchess
Revolutionary Road

Best Cinematography
Changeling
The Curious Case of Benjamin Button
The Dark Knight
The Reader
Slumdog Millionaire

Best Costume Design
Australia
The Curious Case of Benjamin Button
The Duchess
Milk
Revolutionary Road

Best Director
The Curious Case of Benjamin Button, David Fincher
Frost/Nixon, Ron Howard
Milk, Gus Van Sant
The Reader, Stephen Daldry
Slumdog Millionaire, Danny Boyle

Best Documentary Feature
The Betrayal (Nerakhoon)
Encounters at the End of the World
The Garden
Man on Wire
Trouble the Water

Best Documentary Short
The Conscience of Nhem En
The Final Inch
Smile Pinki
The Witness - From the Balcony of Room 306

Best Film Editing
The Curious Case of Benjamin Button
The Dark Knight
Frost/Nixon
Milk
Slumdog Millionaire

Best Foreign Language Film
The Baader Meinhof Complex
The Class
Departures
Revanche
Waltz with Bashir

Best Makeup
The Curious Case of Benjamin Button
The Dark Knight
Hellboy II: The Golden Army

Best Original Score
The Curious Case of Benjamin Button
Defiance
Milk
Slumdog Millionaire
WALL-E

Best Original Song
Down to Earth from WALL-E
Jai Ho from Slumdog Millionaire
O Saya from Slumdog Millionaire

Best Animated Short
La Maison en Petits Cubes
Lavatory - Lovestory
Oktapodi
Presto
This Way Up

Best Live Action Short
Auf der Strecke (On the Line)
Manon on the Asphalt
New Boy
The Pig
Spielzeugland (Toyland)

Best Sound Editing
The Dark Knight
Iron Man
Slumdog Millionaire
WALL-E
Wanted

Best Sound Mixing
The Curious Case of Benjamin Button
The Dark Knight
Slumdog Millionaire
WALL-E
Wanted

Best Visual Effects
The Curious Case of Benjamin Button
The Dark Knight
Iron Man

Best Adapted Screenplay
The Curious Case of Benjamin Button
Doubt
Frost/Nixon
The Reader
Slumdog Millionaire

Best Original Screenplay
Frozen River
Happy-Go-Lucky
In Bruges
Milk
WALL-E

Web: LOLsaints.com

A whimsical twist on LOLcats...

Radio: Coffee - PHC

Press: The sentences of Sarah Palin, diagrammed - Slate

The sentences of Sarah Palin, diagrammed - By Kitty Burns Florey - Slate Magazine:

"In a few short weeks, Sarah Palin has produced enough poppycock to keep parsers and diagrammers busy for a long time. In the end, though, out of her mass of verbiage in the Sean Hannity interview, Palin did manage to emit a perfectly lucid diagram-ready statement that sums up, albeit modestly, not the state of the economy that she was (more or less) talking about but the quality of her thinking: [It certainly is a mess though.]"

Press: Oaf of Office - NYT

Op-Ed Contributor - Oaf of Office - NYTimes.com:

"In his legal opinions, Chief Justice Roberts has altered quotations to conform to his notions of grammaticality, as when he excised the “ain’t” from Bob Dylan’s line “When you ain’t got nothing, you got nothing to lose.” On Tuesday his inner copy editor overrode any instincts toward strict constructionism and unilaterally amended the Constitution by moving the adverb “faithfully” away from the verb.

President Obama, whose attention to language is obvious in his speeches and writings, smiled at the chief justice’s hypercorrection, then gamely repeated it. Let’s hope that during the next four years he will always challenge dogma and boldly lead the nation in new directions."

Press: No snickering - That road sign means something else - NYT

No Snickering - That Road Sign Means Something Else - NYTimes.com:

"In the scale of embarrassing place names, Crapstone ranks pretty high. But Britain is full of them. Some are mostly amusing, like Ugley, Essex; East Breast, in western Scotland; North Piddle, in Worcestershire; and Spanker Lane, in Derbyshire."

Press: Study says movies skew relationship views - WP

Study says movies skew relationship views - The Washington Post:

"His team found that fans of the [romance-comedy movie] genre are more inclined to think that a partner should be able to meet their emotional and physical needs instinctively, without them ever articulating those needs.

The team also studied the content of the 40 most-watched recent rom-coms and found common themes. From the start, big-screen couples have trust and attachment bonds that take us mere humans years to develop. They quickly gloss over such transgressions as lying and cheating. They are deeply, quickly enthralled with each other, while married couples in the same films are usually portrayed as bickering and loveless.

“That’s a very interesting contrast to reality,” Holmes says."

Quotes: "When forced to choose between two evils" (M. West)

"When forced to choose between two evils, I tend to go for the one I've never tried." -- Mae West

Web: Are you in the doghouse?

Are you in the doghouse?:

"Watch a hilarious rendition [from J.C. Penney] of some husbands who are in the doghouse because of their thoughtless presents."

Nostalgia: Alvin and the Chipmunks' 50th anniversary

Alvin and the Chipmunks - Wikipedia, the free encyclopedia:

"The Chipmunks first officially appeared on the scene in a novelty record released in late fall 1958 by Bagdasarian. The song, originally listed on the record label (Liberty F-55168) as 'The Chipmunk Song (Christmas Don't Be Late),' featured the singing skills of the chipmunk trio. [...] It spent four weeks at Number 1 on the Billboard Hot 100 chart from December 22, 1958 to January 12, 1959. It also earned three Grammy Awards and a nomination for Record of the Year."

Press: The fall of the Museum of the Weird - HC

The fall of the Museum of the Weird - Houston Chronicle:

"Dolan Smith was packing up the Museum of the Weird last week, getting ready to move. In the 14 years that the artist has owned the two-bedroom house at 824 West 24th in the Houston Heights, the place has accreted around him: a coral reef of strangeness."

Press: Prime time makes a scientific discovery - LAT

Prime time makes a scientific discovery - Los Angeles Times:

"More than 40 years after the Professor talked Gilligan out of some ridiculous scrape or another while rigging up an irrigation system, rational thought has taken over television."

Email: After snow [EH]

Yes, there was a flurry of flakes [last night]. It melted. We may have gotten more during the night since the top of the park's picnic shelter across the street was dripping water in the morning sun. No, [snow] falling and staying (at least a half-inch if not a half-foot) would remind me of Minnesota.

Weather: 38 for 36 degrees

I awoke quite early this morning so my inner thermostat felt off, even an hour after I finally turned on the heat about 7 am. Walking Twerpette this hour, I just couldn't "feel" the temperature well -- I couldn't decide if it was 34 or 39 degrees. (Houston's humidity and a breeze can tend to muck it up.) I finally guessed an uncertain 38 degrees. Checking weather.com now, though, it says 36 degrees. Hm.

Except that reading of 36 "feels like 27" degrees. Double hm.

Email: Netflix Support

Title request: The Two Ronnies (1971)

Email: Netflix Support

Title request: I Love Christmas (2001)

Email: Netflix Support

Title request: Further Up the Creek (1958)

Email: Netflix Support

Title request: Carry On Regardless (1961)

Email: Netflix Support

Title request: The Fast Show (1994)

Email: Netflix Support

Title request: Auf Wiedersehen Pet (1983)

Email: Netflix Support

Title request: Popples (1986)

Email: Netflix Support

Title request: Rocko's Modern Life (1993)

Email: Netflix Support

Title request: The Flyboys (2008)

Email: Netflix Support

Title request: Falling for Grace (East Broadway) (2006)

Email: Netflix Support

Title request: Rain of Madness (2008)

Weather: 44 for 43 degrees

I didn't actually go outdoors this morning when I let Twerpette out. Still, the grass had a look and the air had a feel that said 44 degrees to me. A check of Weather.com said the temperature was 43 degrees -- and feels like 43 degrees, with the confounding humidity down to 50%.

Weather: 62 for 63 degrees

It's getting chilly enough in Houston for me to nostalgically test the accuracy of my inner thermostat and assess more than guess the temperature of the winter morning while I walk Twerpette. Even so, it's been 11 months; my weather sense felt rusty. Friday morning I started with a guess of 58 degrees then considered 59 degrees but finally settled on 62 degrees. (Humidity can play havoc with a winter sense in Houston.) This time I didn't go indoors to check the temperature on the Web; my Saturn has a temp readout. It said 66 degrees. Close but no prize.

Correction: I just checked Friday's weather online while preparing today's weather post. Weather.com reports the temperature for the first half of that morning as 63 degrees with 97% humidity. I'll take the giant stuffed panda, please.

Books: Texas in Her Own Words

In the elevator this morning I met the author of Texas in Her Own Words.

Email: Netflix Support

Title request: Grand Canyon Adventure: River at Risk [IMAX] (2008)

Language: Nu-cu-lar redux

I can't believe it. Sarah Palin can't pronounce nuclear correctly either.

It's nu-cle-ar not nu-cyu-lar!

Musings: With apologies to anyone named Ike

As you might guess, Ike isn’t a welcome name in east Texas anymore: Piney Woods people have had houses smashed in by trees just as with Rita and Katrina, Houston lost power to 3 million homes and businesses, Galveston won’t start to have power for weeks yet, and points east of Galveston have been wiped off the map. In the heavily wooded Memorial Villages area where I live, every yard was ankle- to waist-deep in branches Most [except for] the coastal regions chose to “hunker down” and “shelter in place” rather than evacuate before Friday. Roads were all but deserted Friday morning as people battened down their hatches but a stream of folks were still buying plywood sheets (limit two) at Home Depot. I had filled my gas tank, withdrawn sufficient cash, and stocked up on cold groceries and bottled water on Wednesday night. However, by Friday [noon] I had been unable to locate a new lantern or flashlight, so I relied on a large candle for light and a battery-powered radio for round-the-clock weather reports. (I had bought more batteries after Gustav.)

Houston began seeing tropical-storm-force winds (60-74 mph) Friday evening about 6-8 pm. My power went out at 1245 am as Houston experienced 80-85 mph winds. I heard loud thumps against my bedroom wall about 4 am and peered through the rain to make out the cracked bole of a topless myrtle tree; the crown was still hanging from some roof cables in the morning while a tall tree across the sidewalk was uprooted and left leaning against the next building. The eye of the storm reached Galveston about 1 am and Houston about 5 am. I must have fallen asleep while the eye passed over since I awoke at 730 am to renewed wind and rains till about noon.

I often josh about how the only things you can do during a power outage are take a shower and flush the toilet. Well, for days after a hurricane you cringe through every unheated shower and you lack the water pressure (i.e., water) to flush! Without power (or a lantern), you can never see well enough to shave. Your cell phone (if it can find coverage) is going to die with no way to charge it -- and you can forget TV or the Internet. All the gas stations are closed for several days but that’s OK since nothing is open and the initial curfew (if your mayor is smart enough to curb looters) runs 6 am to 6 pm. Mercifully, we had only one day of 95-degree temperatures (with further flooding rains) before a cold front swept in to give us 85-degree days and 65-degree nights for the rest of the week. So sweet!

When power returned Monday to the [west suburban] home of a friend who fled town before the storm, I crashed there then spent Tuesday clearing the grounds of debris before returning home by the 9 pm curfew -- just as my power came on! You could hear the cheers of other tenants through the open windows.

[As of now] cable TV is still out. Houston is still restricted to drinking boiled tap or bottled water -- but [during the weekend I was] able to order pizza and go out for a movie and ice cream!

In the morning, I welcome the clatter of chain saws and leaf blowers. Molley has taken the storm and its aftermath fairly well, considering that during Rita she sat in my lap quivering with her nose buried in my armpit all night. Maybe it’s because we stayed here in the home she knows -- the Dachsie Lounge.

Ike, thy name is mud in Houston. You don’t come back now, y’hear?

Email: Post-Ike power statistics [CM]

Only four zip codes in the Houston metro area (according to the PUC) currently have slightly less outage rates than yours (35%). The vast majority are still 40%-100% sans electricite.

As metro areas go, Houston (5.6 million) stands sixth between Philadelphia and Miami. So it is a pretty big deal.

Go Red Cross! Go CenterPoint!

Email: Symantec Support

What I want to know could not be found on your Web site and took half an hour to get by live chat. In every experience I have had with Symantec since 1992, including [as] editor-in-chief of a national computer magazine, Symantec has been tied with IBM as the most bureaucratic and impossible-to-reach firm as far as getting a simple answer goes.

You have always had the best products and I only recommend yours. However, I try never to have contact with you because it's a sure way to waste 30 minutes.

Email: Blockbuster Support

Oh yes, I can also see how it can be "confusing" when in the first email you tell me "You may do this by accessing your account online and clicking on My Account and then going to Rental History. Although the system may allow you to delete titles from your rental history, we don't suggest and recommend this since you can also use this information in case you will be needing it for future reference." and [after I point out that telling me to go to the screen I am asking about is still not answering my question] in the second email you tell me "and were [sic] very sorry to say that it is a default settings [sic] on the system and unable to be modified for deleting [sic] or opting it [sic] to hide [sic]." In addition to lacking most of the finer features of Netflix, Blockbuster might want to improve its customer experience by hiring people who can spell and use correct grammar.

And who can give the correct answer -- since I later determined with no help from Blockbuster how hiding one's Rental History is indeed possible.

Email: Netflix Support

Title request: Thick as Thieves (1998) and Thick as Thieves (2008)

Words: smoot

(I just heard -- then read -- about the smoot.)

Email: Respect the techie! [CM]

I see that the Sent copy [in Hotmail also] has lost the hyperlinks -- and won't recreate them in a forwarded copy (as Word would, or Hotmail's Compose window). So it's either Hotmail -- or our firewall? [-- that is doing it].

If this *always* happens -- whether I send it on my work computer from work or on my work computer from home or [on] my home computer from home or [on] my Mac computer from home -- then it is probably Hotmail that is doing it.

Weird.

See, this is the techie stuff that techies have to deal with all the time. So respect the techie! Better him (or her) than you! (And I am so glad it is no longer me!)

Email: Netflix Support

Restock request: Cherry Falls / Terror Tract (2000)

Email: Netflix Support

Restock request: Black Rain (1988)

Email: Netflix Support

Restock request: Wirey Spindell (1999)

Email: Netflix Support

Title request: Lucy: The Daughter of the Devil (2005)

Email: Netflix Support

Restock request: Resurrection (1980)

Email: Netflix Support

Restock request: Anima Mundi (1986)

Email: In the spirit of camaraderie

I am a bit dense about picking up on humor when a comment is short (like "I hate these people") and not followed by a smiley face.

I often speak beyond (or inspired by) a specific instance to address a phenomenon in general. (I call it "pontificating about life" to be self-deprecating.) I know a number of friends who talk about obsessing or becoming "OC" about their [Internet] involvement. Maybe our experience is not as common as I think, or maybe it's just not recognizable to someone personally. (Great if so.) Certainly making a comment on the order of "I hate it when that happens" is not being a crank.

I suppose it could be considered patronizing to presume that anyone else cannot decide to take a break when necessary. All I can say in defense is that I know people who need or welcome that kind of friendly encouragement in a spirit of camaraderie and I am happy to provide it. And when I say "everyone," I mean everyone, I'm not being furtive or passive-aggressive.

In closing, let me paraphrase a recent column I enjoyed about Internet addiction by Houston Chronicle columnist Ken Hoffman: "Soothing thoughts? That's sick. Me and Netflix, we're just friends."

Email: Netflix Support

Title request: Star Wars: Clone Wars (2008) [TV series starts Oct. 22]

Musings: Stupit is as stupit does

I always say if you use the word intelligent to describe yourself, you had better spell it correctly. (Dating profiles use every possible spelling of that word, I swear. The most popular seems to be intellignet.) To this I will now add if you use the word stupid to describe someone or something else, you had better spell it correctly. (Stupit is indeed the height of irony!)

Email: Netflix Support

Title request: The Land That Time Forgot (1975)

Email: Netflix Support

Title request: Mr. Forbush and the Penguins (1971)

Email: Netflix Support

Title request: Antarctica (2008)

Email: Netflix Support

Title request: All About Anna (2005)

Email: Netflix Support

Title request: Within the Rock (1996)

Press: A trip to English shrine is a journey through history - HC

A trip to English shrine is a journey through history - Houston Chronicle:

"The shrine [to Our Lady of Walsingham in Norfolk, England] was founded in 1061 by Richeldis de Faverches, a Saxon noblewoman and widow with a young son. It was a time of great interest in pilgrimages to the Holy Land, a trip Richeldis would never make.

According to legend, she was deeply devoted to God and Mary and had a reputation for good works. As a reward, Mary appeared to Richeldis in several visions, showing her the house in Nazareth where Gabriel announced the birth of Jesus. Richeldis was told to build an exact replica."

Press: A bit of England in Texas - HC

A bit of England in Texas - Houston Chronicle: "The current parish church, built in 2003 and covered in Texas split limestone, replicates the medieval flint churches of Norfolk, England. Inside, it contains a replica of the Walsingham Holy House. The Houston Holy House was 'built in the Tudor style, like a half-timbered house, with a hammer beam roof,' Noble said. 'This is the Nazareth for Texas according to Our Lady's dimensions.'"

(My parish, Our Lady of Walsingham!)

Email: Single and beyond [EH]

Those single or dating think it's better when a friend has become committed or engaged or married (and with the right person it is) but looking beyond that milestone will reveal that the terrain gets even more demanding than when single or dating.

Neologisms: bibble

To bubble, burble, or dribble.

Email: Netflix Community

A percentage of any population will not notice something that is right in front of their noses. By definition (or something), they seem unable to read or to pay attention. Now, educators will call this "an alternative learning style" but those of us who do, in fact, read, have to point out that less learning is going on with the alternative style.

I know the deaf culture. Some seek out the information they need while others (for the usual human reasons) seem to prefer "drama" and will create it when necessary. I know why this person did not like the singing -- it's a waste of time when compared with dialog -- but to any observer, it just seems silly to criticize a church choir movie for all the singing. My rule of thumb: Does the person find something to criticize, or praise, about a movie (or a person) first -- or only?

I don't trust reviewers whose sole motivation for watching anything is nudity or sex. What they want is not "movies" but "porn."

Email: Stand and deliver [EH]

It's not enough for a man to simply say he is ready for commitment or even to be ready for commitment. A real man needs to actually be committed and to persevere -- to stand and deliver is harder than words or posturing.

Email: Netflix Support

Title request: 2069: A Sex Odyssey (Die Jungfrauen von Bumshausen) (1970)

Email: Earth, not Mars or Venus [EH]

Men predominantly adopt the sex-then-love approach -- that is the basic Mars-Venus message -- but it is wrong not because women's way is the right way per se but because love-then-sex is what women need. You can't build a two-way relationship based only on what the man wants and a two-way relationship implies (and requires) that the man gives the woman what makes her happy (since love is primarily about happiness not sex). Any man who cannot come around to that understanding is not going to have a successful two-way relationship.